Since the Museums inception in 2011, IAMA has presented a permanent collection from Asian and European masters of the past. Looking ahead into our own future, we wanted to shed light on current perceptions of art and created a special exhibit dedicated to the modern art of our era. The quarterly rotating exhibit, Light Space, was conceived thereafter beginning in September of 2018. The works of experienced and established artists have been selected for Light Space, displaying works from photography to mixed media, sculpting, and installation art.
November 9, 2018 - February 14, 2019
Artist Reception: Friday, November 16, 5 - 8 PM
This series of abstract works is painted with acrylic, metal leaf and genuine gold. The reflective quality of metal leaf adds a luminous dimension to the composition. The earliest use of gold can be traced back to ancient Egyptian civilizations, and gold leaf is most commonly recognized as a major decorative element of illuminated manuscripts from the middle ages. The traditional choice of medium has been strikingly reinterpreted in this contemporary fine art context. The initial impact is of a graphic pattern of reflective material floating on a deep background, while viewing the work up close reveals a complexity of layers, as well as, the traces of the artist's mark-making and the nuanced texture of the gold leaf applied by hand. In essence, gold symbolizes the treasured nuance of time, that which can not be distorted, and is present at the center of every encounter and memory, tracing a contour of an experience.
Find more of her artwork at www.irinamoldovan.com.
[living field]. lite cut
MARCH 2 - MAY 23, 2019
Artist Reception: Friday, March 15, 5 - 8 PM
Elvira Dayel is a multidisciplinary artist working in both traditional and new media including series of large scale - paper-cut abstractions, series of large drawings in soft pastel, digital renderings, and 3D printed sculptures. Born in Ukraine and now living in the United States, Dayel is influenced by the XX-th century Russian Avant Garde and Russian Constructivism. Dayel combines these influences and her work speaks with a unique XXI-st century voice.
Dayel’s hand-cut paper works that she calls process drawings are produced in a lengthy process that includes virtual modeling, rendering in 3D software, printing on paper, sketching over on top of these iterations to create a stencil that is finally transferred to heavy weight paper and then cut-out. “I see myself as a minimalist using only as much as needed to convey an idea. My interest lies in perceiving our environment as constructed reality, where my re-invented landscape becomes a new reality. It is then deconstructed, flattened and re-assembled. Occasionally a human figure or multiple inhabit a given artwork. Landscapes, and figure in the landscape are constructs which provide a vision for an abstracted notion of a place, space, human interaction. Creation & destruction are some of the stronger forces that happen to tackle each other in the work: making the invisible visible by exposing dualities and contradictions, and taking the familiar & assigning it a new meaning.Elvira seeks to find a balance between explicitly communicating ideas and layering in meaning of various references. Some work is loose, some of it appears to be more defined.
Each piece, while in the process of creation, is a deep and slow process of contemplation. It’s a slow cooker – no rush. Endless questioning of self, process of looking inward & onward, vision of current events, admiration and disregard for what’s been done are curiosities which enter the artwork.
Find more of her artwork at www.elviradayel.com.